Analogik3 out now!

The latest installment in the Analogik series is here! This time I've veered from the orignal concept a bit in that I decided not to stick to the original only modulars formula. Percussion and some post processing is done on computer and an Elektron Machinedrum as well as a Korg Monotribe. Also, this time around I'm using my own modular which amongst other things, has a Tiptop Audio Z-DSP, Cylonix Cyclebox, The Harvestman Piston Honda and many other digital modules.

Limit Cycle EP - Out now on Fools Forest!

Limit Cycle EP, containing the tracks Limit Cycle, Ax34 Suimle, Tryastvec Pattern and Mosaic, has just been released by Fools Forest! This EP basically started out with me getting into the Max4Live beta, spawning the track Ax34 Suimle. When Fabian at Fools Forest heard it, he said he wanted to release it and I said go ahead. Limit Cycle followed Ax34 Suimle and then Tryastvec Pattern. At that point there were going to be just those three tracks but before Fabian had the time to finish up the cover artwork I finished Mosaic.

These four tracks are in a sense experiments: They are all made using possibilities open up by Max4Live, the extension to Ableton's Live sequencing software, which allows for easier control over things such as algorithmic composition. And this EP is filled of just that. Variations on the concept spawned by Per Nørgaard's Infinity Series are restrained by mutating scale quantizers while psuedo-random pattern and weighted random generators create constantly moving rythmic material. These numbers comes to life via synthesizers in which all sound parameters are slightly, slowly moving, creating an organic texture of sounds. These tracks could have been created before Max4Live of course, but I can only imagine having to spend at least 6 months on every track, working out these tremendously complex mathematical relations between the notes by hand, in a traditional sequencing enviroment.

With this, I would also like to say that Max4Live is quite possibly, in my opinion, the greatest innovation within music technology in the 00's!

I hope you'll enjoy listening to it as much as I did making it!

Download via Fools Forest 320 kbps mp3

Download via Bandcamp Multiple Formats

Parsuitel Orbitelum

New album out now:

DIY Flux Capacitor Expander

This demonstration uses my crude DIY flux capacitor for the Livewire AFG, basically 5 switches and 10 jacks corresponding to the flux cap pins. Two pin pairs are attenuated by two VCA's controlled by the makenoise/wiard wogglebug, crosspatched with the malekko/wiard noisering, which drives the melodic noodling, via a A-189-1 used as a bitcrusher, to perform cheap quantizing.
The sine output is sent to an input of a makenoise QMMG, driven by the A-143-1 envelope. About halfways through, a feedback path from the animated pulses, animated by A-143-1 LFOs, into the A-106-6 xpander filter (wogglebug controlled) goes into one of the pins on the flux cap expander, resulting in strange noises and unpredictable inharmonic distortion.

DIY Flux Capacitor Demonstration - Sine Out by Veqtor

Next up is a quite complex patch, demonstrating some weird possibilities open up by having access to the individual pins of the AFG flux capacitor pins. All the AFG outputs are sent to the A-152 for switching, then into a f(h) plague bearer and after that routed into flux cap expander. At the same time, a pair of flux cap pins are sent into another f(h) plauge bearer. Everything is controlled by a Wogglebug/Noisering crosspatch quantized by a A-189-1 bitcrusher.

You're listening to the currently selected waveform from the A-152. This creates highly unpredictable noises, ringings and well... listen for yourself!

DIY Flux Capacitor Demonstration - Feedback Abuse by Veqtor

Don't try this if you're not certain about what you're doing, you might destroy your AFG!

Exploring M4L & The Finger: Ax34 Suimle

Ax34 Suimle by Veqtor
First audio demo/track using Ableton Live with the Max 4 Live Beta and Tim Exile's The Finger. All control data is generated through different infinity-row generator max devices. One drum track, manipulated by two instances of The Finger. And two instrumental tracks, notes are infinity row again, one instance of The Finger on each. Loads of filtering and dynamics processing, controlled by M4L LFOs. I love this kind of over-the-top complex processing.

This track will be released on Fools Forest.

Snowflakes

Composed using Per Nørgård's fractal infinity series:
a(2n) = -a(n), a(2n+1) = a(n) + 1, a(0)=0.
Every four notes in the primary voice, the modus is transposed into a neighbouring one.
It was made using Max/MSP, the Modal Objects Library by Vince Manzo and Fredrik Olofsson's f0.noergaard external. Sonically the voices are performed by Vember Audio's Surge. The glitch noises are from DEVSND's Arp 2600 and Bent 808 libraries, processed by DtBlkFx, Buffer Override and Reaktor.
Tempo is 120<=>180

Snowflakes by Veqtor

Reaktor + Touchscreen

Via KORE@CDM and Create Digital Music

Building instruments and effects in Reaktor is a lot like building your own hardware. But ever wished those fabulous UIs you’ve seen could be used via something other than … ugh … your mouse? View Reaktor with a touchscreen or touch-controlled projection, and it’s an entirely different game. We already knew Tim Exile was a fan of touchscreens, but here’s what it can do in the hands of another Reaktor master.

Above are videos of Metrognome a.k.a Karl White getting down with a custom ensemble on a touchscreen. Karl reveals on the NI forums:

That was a huge undertaking and is one very complex Reaktor mod. I’ll be making more stuff public on the user library once I get the documentation lined up.

His site sports a lot of cool reaktor stuff like the BushInABox: