Showing posts with label Max For Live. Show all posts
Showing posts with label Max For Live. Show all posts

Sunday, 3 January 2010

Limit Cycle EP - Out now on Fools Forest!

Limit Cycle EP, containing the tracks Limit Cycle, Ax34 Suimle, Tryastvec Pattern and Mosaic, has just been released by Fools Forest! This EP basically started out with me getting into the Max4Live beta, spawning the track Ax34 Suimle. When Fabian at Fools Forest heard it, he said he wanted to release it and I said go ahead. Limit Cycle followed Ax34 Suimle and then Tryastvec Pattern. At that point there were going to be just those three tracks but before Fabian had the time to finish up the cover artwork I finished Mosaic.

These four tracks are in a sense experiments: They are all made using possibilities open up by Max4Live, the extension to Ableton's Live sequencing software, which allows for easier control over things such as algorithmic composition. And this EP is filled of just that. Variations on the concept spawned by Per Nørgaard's Infinity Series are restrained by mutating scale quantizers while psuedo-random pattern and weighted random generators create constantly moving rythmic material. These numbers comes to life via synthesizers in which all sound parameters are slightly, slowly moving, creating an organic texture of sounds. These tracks could have been created before Max4Live of course, but I can only imagine having to spend at least 6 months on every track, working out these tremendously complex mathematical relations between the notes by hand, in a traditional sequencing enviroment.

With this, I would also like to say that Max4Live is quite possibly, in my opinion, the greatest innovation within music technology in the 00's!

I hope you'll enjoy listening to it as much as I did making it!


Download via Bandcamp Multiple Formats

Wednesday, 23 September 2009

Exploring M4L & The Finger: Ax34 Suimle

Ax34 Suimle by Veqtor
First audio demo/track using Ableton Live with the Max 4 Live Beta and Tim Exile's The Finger. All control data is generated through different infinity-row generator max devices. One drum track, manipulated by two instances of The Finger. And two instrumental tracks, notes are infinity row again, one instance of The Finger on each. Loads of filtering and dynamics processing, controlled by M4L LFOs. I love this kind of over-the-top complex processing.
This track will be released on Fools Forest.

Saturday, 21 March 2009

Multi-touch for Max 5 and potentially Live 8



"Max Multitouch Framework by composer Mathieu Chamagne makes turning your Max patch into a multitouch interface a breeze. When I first reviewed the Lemur, I was frustrated by the hardware-style abstraction between your software and the interface. Why was I having to go through Max patches painstakingly assigning Lemur controls to Max controls - why not just make the Max controls appear on the multitouch screen? Well, that’s exactly what you get with MMF. Using a set of Max abstractions, all you have to do is build your Presentation Mode style UI and add in the MMF ingredients - it automagically becomes touchable on a variety of displays."

via Create Digital Music

This should be easily incorporateable into Live 8 I hope... Man, the future is looking bright, multi-touch, live 8 w. max for live, motu interface interfacing with my modular... I can hardly wait...

Monday, 16 March 2009

The glitch of things to come...

Just a little tease, this is done in Max/MSP... yes... it's circuit-bending samples: